Catalyst Browse™
January 2020
Contents
This document contains information on the following topics:
Thank you for using Catalyst Browse. This document contains
information about installing and using Catalyst Browse.
Notable fixes/changes in version 2019.2.1
- Fixed a bug that could cause the application to hang
during playback on systems with an NVIDIA GPU.
- Fixed a bug that could result in a stream error in
rendered XDCAM files.
Notable fixes/changes in version 2019.2
- Added support for stabilizing FX9 clips using metadata.
NOTES:
- When stabilizing a clip using a Cropping ratio
setting larger than the default value, clips with
significant camera shake may exhibit a black border around
the frame. We recommend using a Cropping ratio
setting that is close to the default value. You can
double-click the slider handle to reset the setting to its
default.
- 4K video stabilization requires a GPU that supports
OpenGL 4.1 to be connected to a monitor. We recommend 4 GB
of GPU memory for stabilizing 4K clips. Please see System
Requirements for more information.
- Improved workflow for exporting clips.
- The scale of the SDR gain control in
Options > Color Management has been updated to use a range
of -15.0 dB to 0 dB (in 0.1 dB increments). This change
ensures consistent HDR-to-SDR conversion with the HDRC-4000
HDR Production Converter Unit.
- Added support for VENICE X-OCN 4K 2.39:1 files.
- Improved application start-up times.
- Fixed a bug that could cause the application to become
unresponsive when moving a clip to SxS memory while the memory
was in use by the PZW-4000.
- Fixed a bug that could cause file transfers to fail when
transferring a file to a Sony deck via FTP using a lower-case
file extension.
- Fixed a bug that could prevent clip list edits from being
saved in some cases when closing the application.
- Fixed a bug that could cause incorrect output for X-OCN and
XAVC clips that contain a Tint metadata
value other than 0.
- Fixed a bug that could prevent the discontinuous timecode
indicator from being displayed correctly at the start of a
clip.
- Fixed a bug that could cause the Upload
button to be unavailable in the Share pane when uploading to
Ci Workspace with Upload original clips
selected.
- Fixed a bug that could cause user interface text to appear
with a reduced line weight when running macOS 10.14 (Mojave)
in Japanese.
Notable fixes/changes in version 2019.1
- The MXF file style item in the Inspector
File tab now indicates whether the selected MXF clip is a
growing or closed clip.
- Added support for VENICE RAW/X-OCN files.
- Added new Anamorphic desqueeze and Masking
ratio settings in the Clip Settings menu.
- Added support for s709 LUT look profiles when the Source
Color Space Convert to drop-down list is set
to S-Gamut3/S-Log3 or S-Gamut3.Cine/S-Log3
and the Working color space drop-down list
is set to Rec.709 or Log.
- White balance adjustment (Adjust Color > Source Settings
> Temperature and Tint) has been revised for compatibility
with Sony cameras.
- Added full- and half-resolution render presets when
transcoding to DPX and OpenEXR formats.
- Added a Preserve source UMID check box in
the copy pane. Select this check box if you need to preserve a
clip's UMID (Unique Material Identifier) when copying
it to a Sony deck via FTP.
- Added support for reading Rec.2020/HLG and Rec.2020/PQ
metadata in ProRes clips.
- The File tab in the Inspector now displays Color
primaries and Coding equations
metadata for the selected clip.
- The File tab in the Inspector now indicates whether NRT
metadata (non-real-time metadata) exists for the selected
clip.
- Improved encoding speed when rendering to Sony XAVC Long
format when at least 2 GB of system memory and 6 CPU cores are
available.
- Improved audio processing to preserve audio levels when
transcoding from stereo to mono or multichannel formats.
- Improved transcoding performance when Optimize
encoding speed was selected in the Encode
mode drop-down list when using some NVIDIA GPUs.
- When the Working color space drop-down is
set to Rec.709, the Convert to
drop-down list in the Adjust Color workspace now defaults to 709(800)
Hypergamma for HDR source clips so the default preview is not
washed out or dark.
- Fixed a bug that could prevent clips from copying
successfully via CIFS (Windows only).
- Fixed a bug that could prevent clips from being deleted
correctly when attempting to delete multiple clips from an
FTP/FTPS device.
- Fixed a bug that could prevent metadata from being displayed
correctly in the Inspector after renaming a clip on an
FTP/FTPS device.
- Fixed a bug that prevented clips that were copied with the Copy
only between mark points check box selected from
playing correctly on a camera.
- Fixed a bug that prevented transcoding multiple selected
clips from Professional Disc volumes.
- Fixed a bug that could cause summary metadata to be
discarded in some cases when transcoding with Use
mark in/out points selected.
- Fixed a bug that could cause files from SD cards to display
black thumbnail images and video after changing media.
- Fixed a bug that could cause corrupted thumbnail images
after exporting MXF clips to AVC/AAC format.
- Fixed a bug that could cause incorrect render presets to be
displayed when transcoding from Professional Disc volumes if Preview
using proxy clips was enabled.
- Fixed a bug that could prevent audio output when previewing
ProRes clips in some cases.
Notable fixes/changes in version 2018.2
- The waveform and histogram monitors now display full-range
(-7.3% to 109.1%) rather than clipping at 0% and 100%. Areas
outside 0-100% are shaded in the histogram monitor. Full-range
color is also supported for external-monitor preview and
rendering with HDR to Rec.709/Rec.2020.
- Added a Create Sony Professional Disc partitions check
box in the Copy pane to enable copying XDCAM files
with segmented body partitions.
- Added a Create segmented body partitions check
box in the Copy pane to enable copying XAVC Intra and
XAVC Long files with segmented body partitions.
NOTE: Files created with segmented body
partitions may not be recognized properly by some Sony
camcorders, decks, or servers.
- Added support for displaying the MXF Partition
Style (Single Body Partition or Segmented
Body Partition) in the Inspector pane (Inspector
> Metadata > File > Media).
- Added a Protocol drop-down list in the Add
Remote Server dialog to allow you to choose FTPS
(Explicit) or FTP.
- Added support for DXVA2 decoding of AVC/H.264 clips on
NVIDIA GPUs that utilize DXVA2 decoding. Supported computers
will see improved processing performance for decoding
AVC/H.264 video files.
- Improved playback performance for XAVC Long 422 clips with
resolution of QFHD or higher and frame rates of 50p or higher
when you set the playback settings to Speed/Real
Time. In this mode, frames will be skipped if
needed to preserve the frame rate.
- XAVC clips rendered using the MainConcept encoder now
correctly preserve HLG and PQ metadata in the video stream.
- Added support for displaying Cinematone 1
or Cinematone 2 in the Capture
gamma equation metadata field.
- Removed the Save settings switch in
Transcode Tools.
- Improved performance for FTP devices by turning off
thumbnail image loading.
- Fixed a bug that could cause the application to crash when
using an Intel video processing device.
- Fixed a bug that could cause the application to crash when
reading some AVC clips with malformed metadata.
- Fixed a bug that could cause the application to crash when
opening XAVC Intra clips with 24- or 32-channel audio.
- Fixed a bug that could cause the application to crash when
another user connected to a mounted NAS device (macOS only).
- Fixed a bug that could cause black frames when transcoding
some HD-resolution clips to QFHD XAVC Intra or XAVC Long
formats. Please note that high-quality deinterlacing is no
longer available on systems with 1 GB or less GPU memory or
macOS systems with Intel GPUs and 1536 MB or less GPU memory.
- Fixed a bug that could prevent clips from loading properly
after copying them.
- Fixed a bug that could cause settings in the Format
and Render preset drop-down lists to be
unavailable in the Export pane after changing Color
adjustments to All and Output
color space to Same as preview.
- Fixed a bug that could cause some file types to display the
incorrect source color space.
- Fixed a bug that could cause the internal preview to be
blurred when previewing QFHD sources on an HD external
monitor.
- Fixed a bug that could cause QFHD clips to be displayed
using the incorrect aspect ratio on an HD external monitor.
- Fixed a bug that could cause the Output color space
setting in the Export pane to be incorrectly set to Same
as preview in some cases.
- Fixed a bug that would cause incorrect color management for
non-RAW video files that indicate linear gamma.
- Fixed a bug that could cause the Best match render
preset to use the incorrect resolution after importing an EDL.
- Fixed a bug that could cause the Use flip and
stretch settings check box to be unavailable when
transcoding an EDL.
- Fixed a bug that could prevent saving edits to Mark In/Out
points or Summary and Mark Points metadata for some MXF files.
- Fixed a bug that could cause artifacts when transcoding HDR
clips to YUV SDR formats.
- Fixed a bug that could cause incorrect output for clips
where camera ISO and EI are not the same.
- Fixed a bug that prevented clips from being opened from the
Finder (macOS only).
- Improved the accuracy of the remaining time estimate when
transcoding clips.
- Fixed a bug that could prevent search results from being
limited to the folder being searched.
- Fixed a bug that could cause unintended scrolling in Options
when changing some settings.
- Fixed a bug that could cause audio distortion in clips with
24-bit, big-endian format audio.
- Fixed a bug that could cause delays when browsing folders.
- Fixed a bug that could prevent the Options menu from
displaying correctly when the secondary preview window was
enabled (macOS only).
Notable fixes/changes in version 2018.1
- Added a Create Sony Professional Disc partitions check
box in the Export pane to enable rendering XAVC Intra,
XAVC Long, and XDCAM files with segmented body
partitions.
NOTE: Files created with segmented body
partitions may not be recognized properly by some Sony
camcorders, decks, or servers.
- Improved color-management workflow for choosing color
spaces, applying color adjustments, and transcoding clips with
color adjustments:
- In Options, Color management settings have been grouped
together. Grade in has been changed to Working
color space, and Display color space
settings have been changed to Preview color space
and External monitor color space.
- In Adjust Color mode, the Inspector pane now displays
the Preview and External
monitor color space (if an external monitor is
enabled). If the selected color space is not compatible
with the source color space and cannot be exported,
a warning is displayed to notify you.
- When exporting a clip with color adjustments, the Output
color space is now based on the Preview color
space or External monitor color space to ensure the
transcoded clip matches your preview.
- When exporting a clip with color adjustments, the output
format and transcoding presets are limited those supported
by the selected Output color space.
- Saved transcoding settings are now applied when transcoding
clips or repairing flashbands.
- The Save settings switch in Transcode
Tools is now on by default.
- Added support for expanding and collapsing the Favorite
Folders, Devices, and Recent headings in Browse mode and in
file-browse dialogs.
- Improved the accuracy of the remaining time estimate when
copying clips.
- Improved performance when playing back some AVC clips (macOS
only).
- Combined the Username/Email and Domain
login methods when uploading to Sony Ci.
- Fixed a bug that could cause the application to crash when
previewing clips with the secondary window enabled if Intel
HD Graphics 4000 was selected in the Video
processing device drop-down list..
- Fixed a bug that could cause files to be overwritten after
clicking Keep Existing when prompted to
replace existing files while exporting to DPX or OpenEXR
format.
- Fixed a bug that could cause incorrect video levels when
displaying and rendering AVC 8-bit 4:2:0 clips on some macOS
computers.
- Fixed a bug that could cause playback to zoom unexpectedly
after adjusting color correction controls if CPU
was selected in the Video processing device
drop-down list.
- Fixed a bug that caused the Copy only between mark
points setting to be ignored when copying XAVC
Intra HD clips.
- Fixed a bug that could cause the video preview to display
black frames when switching the Preview setting between Before
and After in the Adjust Color workspace.
- Fixed a bug that could prevent the Convert to
setting in the Adjust Color workspace from being applied
correctly when changing the Source color
space setting.
- Fixed a bug that could cause poor playback performance and
excessive memory usage when playing some MOV clips on macOS.
- Fixed a bug that could cause the incorrect Exposure
index value to be displayed for RAW clips in the
Adjust Color workspace.
- Fixed a bug that could cause the incorrect Output
color space settings to be displayed in the Export
pane if the clip selection changed.
- Fixed a bug that caused the Share pane to incorrectly
display the user's login status when uploading to Sony Ci.
- Fixed a bug that could prevent the last-used render settings
from being applied when transcoding and uploading to Sony Ci.
- Fixed a bug that could cause some H.264 .mov clips to play
at double speed on macOS.
- Fixed a bug that caused the Export button
to be unavailable when exporting an EDL or repairing flash
bands and clicking a blank area in the center of the Transcode
To dialog.
- Fixed a bug that could prevent some clips in an EDL from
linking correctly.
- Fixed a bug that could cause clips to be numbered
incorrectly when Rename files was selected
in the Export pane and 2 digits or 3
digits was selected in the Numbering
drop-down list.
- Fixed a bug that could cause clips to be rendered using the
last-used format (rather than the selected format) when Rename
files was selected in the Export pane.
- Fixed a bug that could cause clips to be displayed in the
Import EDL dialog.
- Fixed a bug that prevented the split location from resetting
when double-clicking the split line in split-screen preview
mode in the Adjust Color workspace.
- Fixed a bug that could cause the incorrect aspect ratio to
be applied when previewing SD MXF clips with the Video
processing device set to CPU.
- Fixed a bug that could cause color variations in MPEG2 clips
when the Video processing device was set to
CPU or a GPU.
- Fixed a bug that prevented the source color space of ProRes
422 clips from being identified correctly.
- On some computers, the application can hang during
startup/registration. Updating your graphics driver will allow
the application to start normally.
- Spanned AVCHD clips may exhibit audio and video noise when
previewing the transition between clips. Transcoding is not
available for spanned AVCHD clips. We recommend that you copy
the clips to your local drive before working with them.
- ASC-CDL (.cdl) files are not displayed in the Load ASC-CDL
dialog when the file is saved in a known folder structure
(such as an XAVC or XDCAM volume). Saving the ASC-CDL files in
a generic location such as the General folder will allow you
to load them.
- When playing 4K clips, the video preview can display
irregularities on some systems that do not meet the system
requirements for 4K media.
- Transcoding performance can be slow when transcoding to an
exFAT-formatted SxS card on Windows.
- On some systems, transcoding can fail when using Intel HD
Graphics Driver for Windows 8.1 version 10.18.15.4279. Please
use the latest driver from Intel.
- In some cases, transcoding does not work correctly if an EDL
is opened while an EDL is already open in the EDL workspace.
If you switch to Browse or View mode and reopen the EDL,
transcoding will work as expected.
- If you use the Upload to Ci feature while the EDL Import
workspace is open, the last-selected file from Browse or View
mode is uploaded to Ci rather than the loaded EDL (macOS
only).
- Blackmagic Design Desktop Video 10.1.1 or later is required
when using an external monitor via a Blackmagic Design SDI or
UltraStudio device.
- If playback is not smooth when previewing high-resolution
clips, click the magnifying glass in the video preview window
and decrease the preview resolution.
- The Combine relay clips command can
produce incorrect timecode if used to combine clips that are
not relay clips.
- Catalyst applications can crash on some Windows 10 systems
that include multiple GPUs (one AMD GPU and one Intel or
NVIDIA GPU). Please check for updated AMD GPU drivers: http://support.amd.com/en-us/kb-articles/Pages/AMD-Radeon-Software-Crimson-Edition-16.1-Hotfix-Release-Notes.aspx.
- If you need to format an SxS card, please use the Memory
Media Utility.
- If you need to format or finalize an XDCAM Professional Disc
volume, please use the XDCAM
Drive Software.
- After importing an EDL, the spacebar does not start/stop
playback, and JKL keys do not shuttle playback.
- When working with clip lists or multiple selected clips, the
Start time value in the Inspector does not
match the timecode of the cursor position in some cases.
- In some cases, the application can crash during startup when
attempting to read some MP4 clips. Resetting the application
preferences as described below can reset the last-viewed
folder and allow the application to start normally.
- If you want to reset the applications's preferences to their
default values, hold Ctrl+Shift while double-clicking the
application icon. When the application starts, you'll be
prompted to reset all preferences.
- When copying a clip list and its clips to an XDCAM device
via FAM, the clips' UMID data is changed, which breaks media
links and will cause the copy operation to fail.
- Copying growing MXF clips to the PDW-HD1500 via FTP can
fail.
- When viewing MXF clips from an XDCAM Station or Professional
Disc volume, Catalyst Prepare now reads metadata from the
sidecar XML. This improves performance but can result in a
reduced set of metadata being displayed in the Inspector.
- Attempting to preview a clip with a backslash (\) in the
file name will result in a "The media is offline, missing, or
unsupported" error message (macOS only).
- If Catalyst Browse fails to start due to an invalid license
file, you can reset the application preferences to choose the
correct license file the next time you start the application:
- Windows: Hold Shift+Windows while starting the
application.
- MacOS: Hold Shift+Command while starting the
application.
- Some computers running macOS 10.13 (High Sierra) may
experience visual inconsistencies, hangs, or crashes when
previewing clips with the secondary window enabled.
- When running macOS 10.13 (High Sierra), access to
Professional Disc and Optical Disc Archive volumes is not
available. Support will be enabled when updated device drivers
are released. Please check https://www.sonycreativesoftware.com/download/software_for_sony_equipment
for updated XDCAM Drive Software and Optical Disc Archive
Software.
- If you notice corrupted video preview or decreased playback
performance on macOS High Sierra (10.13),
please install the latest High Sierra update to ensure your
system is using the latest graphics drivers.
- When transcoding to XAVC Intra, XAVC Long, and XAVC S
formats, some Windows PCs may produce an error. Running
Windows Update or installing the Microsoft Visual C++ 2017
Redistributable manually will resolve the issue.
- When previewing spanned AVCHD clips, you may see blocking
noise at the transitions between clips. If you use the Combine
relay clips command, the new clip will not exhibit
the noise during playback.
- Deleting clips from a Professional Disc volume can fail if
the clips are still loading when you attempt to delete them.
Verify the load icon is not displayed in the main video
preview window or in the Preview window in the Inspector and
then try deleting clips again.
- Attempting to log in to Ci Workspace using an Enterprise
Email (SSO) account fails to log in successfully. We are
actively investigating the issue.
- In some cases, playback performance can be reduced on macOS
computers when an NVIDIA GPU is selected from the Video
processing device drop-down list in Options. In
this case, please choose the Intel GPU from the Video
processing device drop-down list.
The following lists the minimum system requirements for using
Catalyst Browse:
- A 64-bit operating system: Microsoft® Windows 10 or macOS 10.12 (Sierra), 10.13 (High Sierra), or
10.14 (Mojave)
- 2 GHz multicore processor (8 cores recommended for 4K media)
- 500 MB hard-disk space for program installation
- Solid-state disk (SSD) or high-speed RAID for 4K media
- 4 GB RAM (8 GB recommended; 16 GB recommended for 4K media)
- NVIDIA, AMD/ATI, or Intel GPU with support for OpenCL 1.1 or
later with at least 1024 MB of memory (2 GB recommended for 4K
preview, HD rendering, or HD video stabilization; 4 GB
recommended for 4K rendering or 4K video stabilization) or a
CPU with SSE 4.2 or higher. OpenGL 2.1 is recommended for
optimum performance. OpenGL 4.1 is required for video
stabilization.
You must provide your registration information to Sony
Creative Software Inc., a US company, in order to activate the
software. Product requires online registration.
The install utility creates any necessary folders and copies
all files required by Catalyst Browse to your computer.
Installing on Windows
- Download the install utility from our Web
site.
- Create an empty folder and move the downloaded install
utility to that folder.
- Double-click the file, and then follow the on-screen prompts
to install the appropriate version of Catalyst Browse for your
computer.
Installing on macOS
- Download the Catalyst Browse DMG file from our Web
site.
- Double-click the downloaded .dmg file.
- Drag the Catalyst Browse icon into to your Applications
folder to install it on your computer.
If you would like information or trial/demo versions of other
products from Sony Creative Software Inc., please visit our Web
site. You will always find the latest technical
information, trials, demos, and product announcements from Sony
Creative Software Inc. there.
Commercial distribution of the trials and demos requires
written permission from Sony Creative Software Inc.
7.0 Contacting Sony Creative Software Inc.
Sony Creative Software Inc. can be contacted in the following
ways:
Mailing Address:
Sony Creative Software Inc.
8215 Greenway Boulevard
Suite 400
Middleton, Wisconsin 53562
USA
Customer Service/Sales:
Technical Support
For a detailed list of Technical Support options, we encourage you
to visit https://www.sonycreativesoftware.com/support/default.asp.
© 2020. Sony
Creative Software Inc. All Rights Reserved.
XDCAM, XDCAM EX, XAVC, XAVC S, NXCAM, SxS and Professional Disc
are trademarks of Sony Corporation.
All other trademarks or registered trademarks are the property
of their respective owners in the United States and other
countries. For more information, see https://www.sonycreativesoftware.com/licensenotices
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